Apotheoses

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Management number 254618051 Release Date 2026/11/07 List Price US$11.42 Model Number 254618051
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Francois Couperin 1668-1733. Gli incogniti, Early Music Ensemble, Amandine Beyer (violin). When he published his two Apotheoses in memory of two great masters of music in 1724-25, Couperin was asserting his desire to promote a meeting of the French and Italian styles, from a very Gallic point of view, naturally. The idea was to convince the French muses that henceforth one could say sonade and cantade in their language, a strategy already persued in the much earlier La Sultane and La Superbe. But, far from blindly imitating his idols, Couperin takes inspiration from their styles and adapts them to his own brio. The results is a delight for all to share with the musicians of Gli incogniti and Amandine Beyer who's debut Harmonia Mundi label recording this is.

Apotheoses
Performer COUPERIN
Music genre Classical
Music subgenre CD - CLASSICAL ARTISTS
Music release type Release
Media format CD
Original release date 2014
Edition Standard
Language English
Has parental advisory label N
Number of discs 1
Series title Apotheoses [CD]
Record label Harmonia Mundi FR.
Composer Francois Couperin
Songwriter Francois Couperin
Character group Gli incogniti
Track name La superbe, Sonade en trio. I., Sonade en trio. II., Sonade en trio. III. Très lentement, Concert instrumental sur le titre d'Apothéose. Gravement. Lulli aux Champs Elisés, Concert instrumental sur le titre d'Apothéose. Gracieusement. Air pour les mêmes, Le Parnasse, ou L'apothéose de Corelli. Grande Sonade en Trio. Gravement. Corelli au piéd du Parnasse, ou L'apothéose de Corelli. Grande Sonade en Trio. Gaÿment. Corelli charmé de la bonne réception qu'on lui fait au Parnasse, La Sultane, Sonade en quatuor. I., Sonade en quatuor. II., Sonade en quatuor. III. Air, Corelli au piéd du Parnasse, Corelli, charmé de la bonne réception, Corelli buvant à la Source D'Hypocrêne, Enthouziasme de Corelli, aprés son Enthouziasme, Les Muses reveillent Corelli, Remerciment de Corelli (gayement), Lully aux Champs Elysés, Air pour les mêmes (gracieusement), Vol de Mercure aux Champs Elysés, Descente d'Apollon, Rumeur souteraine, Plaintes des mêmes, Enlévement de Lulli au Parnasse, Acueil entre doux et agard, Remerciment de Lulli à Apollon, Apollon persuade Lulli et Corelli, Air léger pour deux violons, Second air. Corelli, La Paix du Parnasse (gayement), Lully in the Elysian Fields, Air for the same, Mercury flies to the Elysian Fields to warn of Apollo's impending descent, Descent of Apollo, who comes to offer his violin to Lully and a place on Parnassus, Subterranean rumblings caused by Lully's contemporaries, Lamentations of the same for flutes or very muted violins, Elevation of Lully to Parnassus, Welcome, both kind and guarded, given to Lully by Corelli and the Italian Muses, Lully's thanks to Apollo, Apollo persuades Lully and Corelli that the reunion of French and Italian tastes shall make perfection in Music: Essay in the form of an overture, Lully plays the subject and Corelli accompanies it (First Air), Corelli plays the subject and Lully accompanies it (Second Air), The Peace of Parnassus, over the protest of the French Muses, is made on the condition that when their language is spoken, one will henceforth say Sonade and Cantade, as one says Ballade and Sérénade, etc. (Gravement), (Saillie), (Rondement), (Vivement)
Music media format CD

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